Mediocrity abounds as quality control dwindles. Today, self-publishing has eliminated such processes, and there is little critical review, little effort to add something new to the evolution of the profession. Scant decades ago, new typefaces underwent a rigorous review procedure to ensure that they met the publisher’s artistic and technical criteria. Just as in the music industry, where cover versions and remixes are often more popular than new music, font designers seemingly prefer to exploit successful models from the past rather than strive for new solutions. In spite of all the attention to type and the unprecedented conditions for type designers, the vast majority of new fonts desperately lack originality.
